This daring initiative is supported by Belgian and foreign gallerists, dealers and collectors. This enthusiasm illustrates the trust that the sector has in the fair as an important meeting place for classic and modern art.
This position illustrates the rise of Brussels as Parisian anti-chambre in a context where London, capital of the European art market, takes distance from the continent. Paris reinforces her appeal and profiles itself in an active way as the most important place for the European art market. Eurantica follows this new position by choosing the theme “Paris-Brussels” for this edition.
But that doesn’t mean that Eurantica forgets her roots. True to itself, Eurantica is elegant, eclectic and rich on discoveries. It embraces all domains and periods. It reinforces and keeps its strong anchorage in classic paintings of Old Masters, Belgian and European post-war painting, jewellery, old furniture, vintage furniture and collection objects. Eurantica responds to the expectations of the art market by presenting a fair that gives extra attention to the classic sector in a dynamic and contemporary environment with accessible prices. The antique dealers show quality pieces in beautiful presentations.